AMARILLO PRINT FAIR

 

May 17 - 19, 2013
Friday, May 17, 6:30 - 9:00 pm
Saturday, May 18, 10:00 am – 5:00 pm
Sunday, May 19, 12 – 4 pm

Admission is free

Amarillo Museum of Art is premiering its first fine print fair. A project of the AMoA Alliance, the Amarillo Print Fair is one of only two in the Southwest. Visitors will have the opportunity to browse or purchase great works by artists ranging from Goya and Matisse to James Surls and today’s emerging artists. Eleven distinguished dealers and publishers from around the country will offer an extraordinary range of fine art to expand your knowledge of printmaking and to start or enrich your art collection.

Exhibitors
Allison Tolman / The Tolman Collection of Tokyo
New York, New York
• Works by living Japanese printmakers in limited editions, spanning the gamut of printmaking media.

The Annex Galleries
Santa Rosa, California
• 19th, 20th and 21st century fine prints with focuses on color woodcuts, Atelier 17, Abstract Expressionism, Mexican and regional prints

Conrad Graeber Fine Art
Riderwood, Maryland
• 19th and 20th century American, British, European and Japanese fine prints and drawings

Davidson Galleries
Seattle, Washington
• 15th - 20th centuries, and contemporary European and American fine original prints

Flatbed Press
Austin, Texas
• Publishing workshop of original monoprints and limited editions of etchings, lithographs, and woodcuts by contemporary artists.

Landfall Press, Inc.
Santa Fe, New Mexico
• Publisher and printer of contemporary lithographs, etchings, and woodcuts.

M. Lee Stone Fine Prints, Inc.
San José, California
• 20th and 21st century American prints, including WPA images, social commentary, cityscapes, African American artists and imagery

Riverhouse Editions
Steamboat Springs, Colorado
• Fine prints by major contemporary artists

Segura Arts Studio
Notre Dame Center for Arts & Culture, South Bend, Indiana
• Prints and publishes limited edition prints and monotypes by leading contemporary artists

Vermillion Editions Limited
West Texas A & M University, Amarillo, Texas
• Printer and publisher of contemporary works in lithography, intaglio, screen print, digital, and letterpress media. Specializes in mixed-media printing and experimental processes.

William P. Carl Fine Prints
Durham, North Carolina
• 19th and 20th century European and American prints including Dutch and Belgian works, color woodcuts 1900–1950, and contemporary prints by European masters

Amarillo Print Fair Slideshow Images
Left to Right

Louise Fishman, Blue – Brown, 2009, solar plate and etching, ed. 10, 14 ¾ x 12 ½ inches, courtesy Riverhouse Editions, Inc., Steamboat Springs, Colorado.

Bill Fick, Amarillo Skull, 2012. Lithograph and Serigraph Ed. 40. 29.5 x 40 inches,courtesy of Vermillion Editions Limited, West Texas A&M University, Amarillo, Texas.

J. Jay McVicker (1911-2004), Egyptian Series #24, 1987, monoprint, color aquatint and collage, courtesy of M. Lee Stone Fine Prints, Inc., San Jose, California.

Liz Ward, Ice Core, Spit-bite aquatint, staged aquatint and line etching, 2012, Image Size: 34” x 14”
Paper Size: 38” x 18”, Shiromine, courtesy of Flatbed Press and Gallery, Austin, Texas.

Millard Sheets (1907-1989), Family Flats, lithograph; 1934, courtesy of Annex Galleries, Santa Rosa, California.

Dion Zwirner, Winter Evening in the Garden, 2012-13, Mixed media on paper, 11 x 10 1/2 inches, courtesy of Davidson Galleries, Seattle, Washington.

Helen Hyde, American (1868-1919) Mount Orizaba, color woodcut, 1912. Mason and Mason 98. 9 3/4 x 9 inches, courtesy of Conrad R. Graeber Fine Art, Riderwood, Maryland.

Tachibana, Seiko (b.1964), Scene of Memory, color aquatint, courtesy of Allison Tolman /  The Tolman Collection of Tokyo, New York, New York.

Howard Cook, American (1932–1933), Taxco Market, etching and aquatint on Japan paper, from an edition of 30. 8 7/8 x 11 7/8 inches at plate mark, courtesy of William R. Talbot Fine Art, Antique Maps & Prints, Santa Fe, New Mexico.

Kate Breakey, Figs, 2005, hand-colored photogravure, ed. of 40, 16.5 x 18 inches, courtesy of Segura Arts Studio, Notre Dame Center for Arts & Culture, South Bend, Indiana.

Martin Lewis, American (1881-1962), Snow on the El, 1931,Drypoint with sand ground, courtesy of William P. Carl Fine Prints, Durham, North Carolina.

Jeanette Pasin-Sloan, America (b. 1946),Wave Cups, State II, 2013, Lithograph,18 ¾ x 18 ½ inches, courtesy of Landfall Press, Inc., Santa Fe, New Mexico.

Glasstire Images

Left: Martin Lewis, American (1881-1962), Stoops in the Snow, 1930, drypoint and sandpaper ground, ed.115, courtesy M. Lee Stone Fine Prints, Inc., San Jose, California.