ENGLISH:
Social Studies
TEKS:
Chapter 110
Grades 9-12
1 A, B, C
2 A,B, C
3 A, B, C
19 A
4H
(Grade 12)
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OBJECTIVE:
The student will
infer the emotions of various individuals portrayed in the photographs
and depict these feelings in a monologue or journal entry.
The student will
explore the verisimilitude of art to reality, sharing ideas and observations
in class discussion.
MATERIALS:
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DISCUSSION:
- What details
in the photographs place the time period? What photographic techniques
have been used or are relevant to the pictures?
- What do the
details in the pictures tell us about the lives of the selected individuals
in the photos? Choose one of the photographs. What words might describe
how that individual felt? What do the facial expressions suggest?
- While facts are
important, what depth does the photography add to one's understanding
of the time and circumstances?
- If these were
artists' drawings rather than photographs, would that have made a
difference to the viewer's reaction?
- The photographs
suggest something about the lives these people lived. What conclusions
can you draw about the family life and the personal life of any one
individual in a photo? What types of experiences do you imagine they
have had? Would you say their lives have been happy? carefree? Why?
VOCABULARY TERMS:
persona, realism,
Dust Bowl
PROCEDURE:
- Have students
examine the pictures and discuss the historical phenomenon of the
Dust Bowl. The FSA photographs depict the depth of human suffering
and the perseverance of the human spirit that emerged in this time
period, most generally associated with the decade of the 30s in the
panhandle area and western states. Small farmers and migrant workers,
struggling to survive, eked out what they could and searched for a
better life in a world turned gray and dismal.
- Students should
identify both the human frailty and strength in these pictures. They
should be able to focus on the facial expressions and the emotions
behind the faces. Ask them to infer what circumstances in life might
have resulted in the emotions revealed or the settings and details
included. Ask them to try to get "into" the characters and imagine
how one of them might have felt. Ask them to describe an event the
person might have experienced and their reaction to it.
- Ask them to imagine
other family members who might be observing the person at the moment
of the snapshot. What might they think and feel?
- Finally, have
students adopt the persona of an individual in one of the photographs.
They are to write a monologue or soliloquy appropriate to that individual,
or create a journal entry the individual might have recorded. An alternate
assignment might be for the individual in the picture to write a friendly
letter to a relative who lives some distance away. In any of the assignments,
the student needs to explain the individual's feelings, then perhaps
an event or situation which prompted these feelings.
EVALUATION:
Rubric which addresses
the areas of language or detail as well as evidence of appropriate emotion
and logical inference based on the picture.
RESOURCES:
Publications:
Curtis, James. Mind's Eye, Mind's Truth: FSA Photography Reconsidered.
Philadelphia: Temple University Press, 1989.
Steinbeck, John. The Harvest Gypsies. Berkeley: Heyday Books,
1936.
Voices
from the Dustbowl: The Charles L. Todd and Robert Sonkin Migrant Worker
Collection. 1940-1941.
Internet Links:
The Dust Bowl, http://www.usd.edu/anth/epa/dust.html
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